Prologue
There are two
things beginning meditators should search for as
external aids to their practice:
1. Suitable
companions (puggala-sappaya): Be
discriminating in choosing people to associate with.
Search only for companions who have peace of mind.
This can be any group at all, as long as the group
as a whole is aiming for mental peace.
2. A suitable
location (senasana-sappaya): Choose a quiet
place with an agreeable atmosphere, far from human
society. Places of this sort, providing physical
seclusion, are conducive to the practice of
meditation. Examples listed in the Canon include
caverns and caves, the shade of an over-hanging
cliff-face, the forest wilderness, and empty houses
or buildings where not too many people will come
passing by. Places like this are an excellent aid
and support for a beginning meditator.
When you go to stay
in such a place, don't let your thoughts dwell on
topics that will act as enemies to your peace of
mind. For example, don't preoccupy yourself with
magic spells or the black arts. Instead, call to
mind and put into practice those principles and
qualities that will be to your benefit. For example:
Appicchata:
Be a person of few wants with regard to the
necessities of life.
Santutthi:
Be content with the possessions you already have.
Viveka:
Aim solely for peace, quiet and seclusion.
Asansagga:
Don't entangle yourself with human companionship.
Viriyarambha:
Be singleminded and persistent at making the mind
still and at peace.
Silanussati:
Reflect on your own conduct to see if you've
overstepped any of your precepts, and -- if you have
-- immediately purify your behavior through your own
intention.
Samadhi-katha:
Focus on calling to mind the meditation theme on
which your mind can become firmly established.
Pañña-katha:
Focus exclusively on those topics that will give
rise to discernment and clear insight.
Vimutti:
Make the mind well-disposed toward the search for
release from all defilements.
Vimutti-ñana-dassana:
Focus on contemplating how to come to the
realizations that will enable you to gain release
from the fermentation of all defilements.
These principles
are guidelines for meditators of every sort and will
direct the mind solely to the path leading beyond
all suffering and stress.
What follows is a
short-hand list of essential principles, selected to
help prevent meditators from getting tied up in the
course of their practice. These principles, though,
should be viewed merely as incidental to the Dhamma.
The reality of the Dhamma has to be brought into
being within ourselves through our own energies:
This is called practicing the Dhamma. If we go no
further than the lists, we'll end up with only
concepts of the Dhamma. Our ultimate aim should be
to make the mind still until we reach the natural
reality that exists on its own within us, that knows
on its own and lets go on its own. This is the
practice of the Dhamma that will lead us to the
realization of the Dhamma -- the true taste and
nourishment of the Dhamma -- so that we will no
longer be caught up on the ropes.
In other words,
conceptualized Dhamma is like a rope bridge for
crossing over a river. If we take the bridge down
and then carry it with us, it will serve no purpose
other than to weigh us down and get us all tied up.
So no matter how much conceptualized Dhamma you may
have memorized, when you come to the point where
you're practicing for real you have to take
responsibility for yourself. Whether you are to win
or lose, let go or cling, will depend on how much
quality you've built into your own mind. This is why
we are taught not to cling to the scriptures and
texts, to meanings and concepts. Only when we train
ourselves to get beyond all this will we be heading
for purity.
Attahi attano
natho:
Nothing can help us
unless we can rely on ourselves. Only when we
realize this will we be on the right track. The
Buddha attained all of the truths he taught before
he put them into words. It wasn't the case that he
came up with the words first and then put them into
practice later. He was like the scientists who
experiment and get results before writing textbooks.
But people who simply read the textbooks know
everything -- for example, they may know every part
in an airplane -- but they can't produce one out of
their own knowledge. To be a consumer and to be a
producer are two different things. If we cling
merely to the concepts of the Dhamma, simply
memorizing them, we're no more than consumers. Only
if we make ourselves into producers, so that others
can consume, will we be acting properly.
To be successful
producers, we have to accept responsibility for
ourselves. If there's any area where we don't
succeed, we should make use of our own ingenuity
until we do. If we rely merely on the ingenuity of
others, then we can't depend on ourselves. And if we
can't depend on ourselves, why should we let other
people think that they can depend on us?
This is why I have
compiled this list of principles merely as a brief
beginning guide for meditators.
The Thirteen
Ascetic Observances
1.
Pansukulikanga: the practice of wearing robes
made from thrown-away cloth.
2. Tecivarikanga:
the practice of using only one set of three robes.
3.
Pindapatikanga: the practice of going for alms.
4.
Sapadacarikanga: the practice of not by-passing
any donors on one's alms path.
5. Ekasanikanga:
the practice of eating no more than one meal a day.
6.
Pattapindikanga: the practice of eating one's
food only from one's bowl.
7.
Khalupacchabhattikanga: the practice of not
accepting any food presented after one has eaten
one's fill.
8. Araññikanga:
the practice of living in the wilderness.
9.
Rukkhamulikanga: the practice of living under
the shade of a tree.
10.
Abbhokasikanga: the practice of living out under
the open sky.
11. Sosanikanga:
the practice of living in a cemetery.
12.
Yathasanthatikanga: the practice of living in
whatever place is assigned to one.
13. Nesajjikanga:
the practice of not lying down.
The Fourteen Duties
1.
Akantuka-vatta: duties of a monk newly arriving
at a monastery.
2. Avasika-vatta:
duties of a host-monk when a newcomer arrives.
3. Gamika-vatta:
duties of a monk when leaving a monastery.
4.
Anumodana-vatta: duties connected with
expressing appreciation for donations (of food).
5.
Bhattaka-vatta: duties to observe before and
after one's meal.
6.
Pindicarika-vatta: duties to observe when going
for alms.
7.
Araññika-vatta: duties to observe when living in
the wilderness.
8.
Senasana-vatta: duties to observe in looking
after one's dwelling place.
9.
Jantaghara-vatta: duties to observe in using the
fire-house.
10.
Vaccakuti-vatta: duties to observe in using the
toilet.
11.
Upajjhaya-vatta: duties to observe in attending
to one's preceptor.
12.
Acariya-vatta: duties to observe in attending to
one's teacher.
13.
Saddhiviharika-vatta: a preceptor's duties
toward his pupil.
14.
Antevasika-vatta: a teacher's duties toward his
pupil.
Seven Important
Sets of Principles (The Wings to Awakening)
1. The four frames
of reference (satipatthana): body, feelings,
mind, mental qualities.
2. The four
right exertions (sammappadhana): making the
effort to prevent evil from arising, to abandon
whatever evil has arisen, to give rise to the good
that hasn't yet arisen, and to maintain the good
that has.
3. The four
foundations of achievement (iddhipada):
Chanda
-- feeling an affinity for one's meditation theme.
Viriya -- persistence.
Citta -- intentness on one's goal.
Vimangsa -- circumspection in one's
activities and interests.
4. The five
pre-eminent factors (indriya): conviction,
persistence, mindfulness, concentration, discernment
(factors that are pre-eminent in performing one's
duties).
5. The five
strengths (bala): conviction, persistence
mindfulness, concentration, discernment (factors
that give energy to the observance of one's duties).
6. The seven
factors for Awakening (bojjhanga):
Sati-sambojjhanga
-- powers of mindfulness, recollection, and
reference.
Dhammavicaya-sambojjhanga -- discrimination
in choosing a meditation theme well-suited to
oneself.
Viriya-sambojjhanga -- persistence.
Piti-sambojjhanga -- rapture; fullness of
body and mind.
Passaddhi-sambojjhanga -- physical stillness
and mental serenity.
Samadhi-sambojjhanga -- concentration.
Upekkha-sambojjhanga -- equanimity.
7. The eightfold
path (magga):
Samma-ditthi
-- Right View.
Samma-sankappa -- Right Intention.
Samma-vaca -- Right Speech.
Samma-kammanta -- Right Action.
Samma-ajiva -- Right Livelihood.
Samma-vayama -- Right Effort.
Samma-sati -- Right Mindfulness.
Samma-samadhi -- Right Concentration.
The Forty
Meditation Themes
Ten recollections;
ten foul objects; ten kasinas; four sublime abidings;
four formless absorptions; one resolution into
elements; and one perception of the filthiness of
food.
Ten recollections:
1. Buddhanussati:
recollection of the virtues of the Buddha.
2. Dhammanussati:
recollection of the virtues of the Dhamma.
3. Sanghanussati:
recollection of the virtues of the Sangha.
4. Silanussati:
recollection of one's own moral virtue.
5. Caganussati:
recollection of one's generosity.
6. Devatanussati:
recollection of the qualities that lead to rebirth
as a heavenly being.
7. Kayagatasati:
mindfulness immersed in the body.
8. Maranassati:
mindfulness of death.
9. Anapanassati:
mindfulness of breathing.
10.
Upasamanussati: recollection of the virtues of
nibbana -- ultimate pleasure; unexcelled ease, free
from birth, aging, illness and death.
Ten foul objects:
1. Uddhumataka:
a rotten, bloated corpse, its body all swollen and
its features distended out of shape.
2. Vinilaka:
a livid corpse, with patchy discoloration --
greenish, reddish, yellowish -- from the
decomposition of the blood.
3. Vipubbaka:
a festering corpse, oozing lymph and pus from its
various orifices.
4. Vichiddaka:
a corpse falling apart, the pieces scattered about,
radiating their stench.
5. Vikkhayittaka:
a corpse that various animals, such as dogs, are
gnawing, or that vultures are picking at, or that
crows are fighting over, pulling it apart in
different directions.
6. Vikkhittaka:
corpses scattered about, i.e., unclaimed bodies that
have been thrown together in a pile -- face up, face
down, old bones and new scattered all over the
place.
7.
Hatavikkhittaka: the corpse of a person
violently murdered, slashed and stabbed with various
weapons, covered with wounds -- short, long,
shallow, deep -- some parts hacked so that they're
almost detached.
8. Lohitaka:
a corpse covered with blood, like the hands of a
butcher, all red and raw-smelling.
9. Puluvaka:
a corpse infested with worms: long worms, short
worms, black, green, and yellow worms, squeezed into
the ears, eyes, and mouth; squirming and squiggling
about, filling the various parts of the body like a
net full of fish that has fallen open.
10. Atthika:
a skeleton, some of the joints already separated,
others not yet, the bones -- whitish, yellowish,
discolored -- scattered near and far all over the
place.
Ten kasinas:
1. Pathavi
kasina: staring at earth.
2. Apo kasina: staring at water.
3. Tejo kasina: staring at fire.
4. Vayo kasina: staring at wind.
5. Odata kasina: staring at white.
6. Pita kasina: staring at yellow.
7. Lohita kasina: staring at red.
8. Nila kasina: staring at blue (or green).
9. Akasa kasina: staring at the space in a
hole or an opening.
10. Aloka kasina: staring at bright light.
Four sublime
abidings:
1. Metta:
benevolence, friendliness, good will, love in the
true sense.
2. Karuna:
compassion, sympathy, pity, aspiring to find a way
to be truly helpful.
3. Mudita:
appreciation for the goodness of other people and
for our own when we are able to help them.
4. Upekkha:
When our efforts to be of help don't succeed, we
should make the mind neutral -- neither pleased nor
upset by whatever it focuses on -- so that it enters
the emptiness of jhana, centered and tranquil to the
point where it can disregard acts of thinking and
evaluating as well as feelings of rapture and ease,
leaving only oneness and equanimity with regard to
all objects and preoccupations.
Four formless
absorptions:
1.
Akasanancayatana: being absorbed in a sense of
boundless emptiness and space as one's
preoccupation.
2.
Viññanancayatana: being absorbed in boundless
consciousness as one's preoccupation, with no form
or figure acting as the sign or focal point of one's
concentration.
3.
Akiñcaññayatana: focusing exclusively on a
fainter or more subtle sense of cognizance that has
no limit and in which nothing appears or disappears,
to the point where one almost understands it to be
nibbana.
4.
Nevasañña-nasaññayatana: being absorbed in a
feeling that occurs in the mind, that isn't
awareness exactly, but neither is it non-awareness;
i.e., there is awareness, but with no thinking, no
focusing of awareness on what it knows.
These four formless
absorptions are merely resting places for the mind,
because they are states that the mind enters, stays
in, and leaves. They are by nature unstable and
inconstant, so we shouldn't rest content simply at
this level. We have to go back and forth through the
various levels many times so as to realize that
they're only stages of enforced tranquillity.
One resolution into
elements:
i.e., regarding each part of the body simply in
terms of physical properties or elements.
One perception of
the filthiness of food:
i.e., viewing food as something repugnant and
unclean -- with regard to where it comes from, how
it's prepared, how it's mixed together when it's
chewed, and where it stays in the stomach and
intestines.
* * *
With one exception,
all of the meditation themes mentioned here are
simply gocara dhamma -- foraging places for
the mind. They're not places for the mind to stay.
If we try to go live in the things we see when we're
out foraging, we'll end up in trouble. Thus, there
is one theme that's termed "vihara dhamma" or
"anagocara": Once you've developed it, you
can use it as a place to stay. When you practice
meditation, you don't have to go foraging in other
themes; you can stay in the single theme that's the
apex of all meditation themes: anapanassati,
keeping the breath in mind. This theme, unlike the
others, has none of the features or various
deceptions that can upset or disturb the heart. As
for the others:
-- Some of the
recollections, when you've practiced them for a long
time, can give rise to startling or unsettling
visions.
-- The ten foul
objects can give rise after a while to visions and
sometimes to sense of alienation and discontent that
turns into restlessness and distress, your mind
being unable to fashion anything on which it can
come to rest, to the point where you can't eat or
drink.
-- The ten kasina,
after you've stared at them a long while, can give
rise to visions that tend to pull you out of your
sense of the body, as you become enthralled by their
color and features, to the point where you may
become completely carried away.
-- As for the
resolution into elements, when you become more and
more engrossed in contemplating the elements,
everything in the world becomes nothing more than
elements, which are everywhere the same. You come to
believe that you no longer have to make
distinctions: You're nothing more than elements,
members of the opposite sex are nothing more than
elements, food is nothing more than elements, and so
you can end up overstepping the bounds of morality
and the monastic discipline.
-- As for the
perception of the filthiness of food, as you become
more and more caught up in it, everything becomes
repulsive. You can't eat or sleep, your mind becomes
restless and disturbed, and you inflict suffering on
yourself.
-- As for the four
sublime abodes, if you don't have jhana as a
dwelling for the mind, feelings of good will,
compassion, and appreciation can all cause you to
suffer. Only if you have jhana can these qualities
truly become sublime abodes, that is, restful places
for the heart to stay (vihara dhamma).
Thus only one of
these themes -- anapanassati, keeping the breath in
mind -- is truly safe. This is the supreme
meditation theme. You don't have to send your
awareness out to fix it on any outside objects at
all. Even if you may go foraging through such
objects, don't go living in them, because after a
while they can waver and shift, just as when we
cross the sea in a boat: When we first get into the
boat we may feel all right, but as soon as the boat
heads out into the open bay and we're buffeted by
wind and waves, we can start feeling seasick. To
practice keeping the breath in mind, though, is like
sitting in an open shelter at dockside: We won't
feel queasy or sick; we can see boats as they pass
by on the water, and people as they pass by on land.
Thus, keeping the breath in mind is classed:
-- as an exercise
agreeable to people of any and every temperament;
-- as
"anagocara," an exercise in which you focus
exclusively on the breath while you sit in
meditation, without having to compound things by
sending your awareness out to grab this or get hold
of that;
-- and as "dhamma-thiti,"
i.e., all you have to do is keep your mind
established firm and in place.
The beginning stage
is to think buddho -- "bud-" with the
in-breath, and "dho" with the out. Fixing
your attention on just this much is enough to start
seeing results. There's only one aim, and that's:
that you really do
it.
If there is
anything you're unsure of, or if you encounter any
problems, then consult the following pages.
Introduction
This handbook on
keeping the breath in mind has had a number of
readers who have put it into practice and seen
results appearing within themselves in accordance
with the strength of their practice. Many people
have come to me to discuss the results they've
gained from practicing the principles in this book,
but now it's out of print. For this reason I've
decided to enlarge it and have it printed again as
an aid for those who are interested in the practice.
Now, if you're not
acquainted with this topic, have never attempted it,
or aren't yet skilled -- if you don't know the
techniques of the practice -- it's bound to be hard
to understand, because the currents of the mind,
when they're written down as a book, simply won't be
a book. The issues involved in dealing with the mind
are more than many. If your knowledge of them isn't
truly comprehensive, you may misunderstand what you
come to see and know, and this in turn can be
destructive in many ways. (1) You may lose whatever
respect you had for the practice, deciding that
there's no truth to it. (2) You may gain only a
partial grasp of things, leading you to decide that
other people can't practice or are practicing
wrongly, and in the end you're left with no way to
practice yourself. So you decide to "let go" simply
through conjecture and speculation. But the truth is
that this simply won't work. True and complete
letting go can come only from the principles
well-taught by the Buddha: virtue, concentration,
and discernment, which are a synopsis of the
eightfold path he taught in his first sermon.
So in our practice
we should consider how virtue, concentration,
discernment, and release can be brought into being.
Virtue forms the basis for concentration;
concentration, the basis for discernment (liberating
insight or cognitive skill); and discernment, the
basis for release from ignorance, craving, and
attachment. Thus in this book, which is a guide to
developing Right Concentration, I would like to
recommend to other meditators a method that, in my
experience, has proven safe and productive, so that
they can test it for themselves by putting it into
practice until they start seeing results.
The main concern of
this book is with the way to mental peace. Now, the
word "peace" has many levels: A mind infused with
virtue has one level of peace and happiness; a mind
stilled through concentration has another level of
peace and happiness; a mind at peace through the
power of discernment has still another level of
happiness; and the peace of a mind that is released
is yet another level, with a happiness completely
apart from the rest.
In these matters,
though, meditators tend to prefer the results to the
causes. They aren't as interested in abandoning
their own defilements through the principles of the
practice as they are in standing out among society
at large. They appropriate the ideas and
observations of other people as being their own, but
by and large their wisdom is composed of bahira
pañña -- remembered "outsights," not true
insight.
So when you want
the reality of the principles taught by the Buddha,
you should first lift your mind to this principle --
Right Concentration -- because it's an excellent
gathering of the energies of your mind. All energy
in the world comes from stopping and resting. Motion
is something that destroys itself -- as when our
thinking goes all out of bounds. Take walking for
instance: When we walk, energy comes from the foot
at rest. Or when we speak, energy comes from
stopping between phrases. If we were to talk without
stopping, without resting between phrases, not only
would it waste energy, but the language we'd speak
wouldn't even be human. So it is with practicing the
Dhamma: Release comes from concentration and
discernment acting together. Release through the
power of the mind (ceto-vimutti) requires
more concentration and less discernment; release
through discernment (pañña-vimutti), more
discernment and less concentration -- but there is
no way that release can be attained without the
stillness of concentration.
Thus, resting the
mind provides the strength needed to support all the
qualities developed in the practice, which is why
it's such an essential part of Right Concentration.
It forms a well-spring and a storage place for all
knowledge, whether of the world or of the Dhamma. If
you aren't acquainted with this basic principle,
skilled awareness won't arise. And if you don't have
skilled awareness, how will you be able to let go?
You'll have to go groping around in unskilled
awareness. As long as the mind is in the grips of
unskilled awareness, it's bound to be deluded by its
fashionings.
Unskilled awareness
is a brine in which the mind lies soaking; a mind
soaked in its juices is like wet, sappy wood that,
when burned, gives off smoke as its signal, but no
flame. As the smoke rises into the air, you imagine
it to be something high and exalted. It's high, all
right, but only like smoke or overcast clouds. If
there's a lot of it, it can obscure your vision and
that of others, so that you can't see the light of
the sun and moon. This is why such people are said
to be "groping." Those who train their own hearts,
though, will give rise to skilled awareness. When
skilled awareness penetrates the heart, you'll come
to realize the harmful potency of mental fashionings.
The arising of skilled awareness in the heart is
like the burning of dry, sapless wood that gives off
flame and light. Even though there may be some
smoke, you don't pay it any mind, because the
firelight is more outstanding.
The flame of
skilled awareness gives rise to five sorts of
results:
1. Rust (the
defilements) won't take hold of the heart.
2. The heart
becomes purified.
3. The heart
becomes radiant in and of itself (pabhassaram
cittam).
4. The heart
develops majesty (tejas).
5. The three
skills, the eight skills, and the four forms of
acumen will arise.
All of these things
arise through the power of the mind. The nature of
the mind is that it already has a certain amount of
instinctive intuition -- the times when it knows on
its own, as when you happen to think of a particular
person, and then he or she actually shows up. All
good qualities, from the mundane to the
transcendent, are always present in each of us.
These qualities -- the Dhamma -- aren't the
exclusive possession of any particular group or
person. We all have the right to develop them and
put them into practice.
For these qualities
to yield results, we have to develop them in
conjunction with the following four principles:
1. Chanda:
feeling an affinity for the practice.
2. Viriya:
being persistent in the practice.
3. Citta:
being intent on the practice.
4. Vimansa:
being circumspect in what we do, i.e., circumspect
before we do it, circumspect (mindful and aware)
while we're doing it, and circumspect with regard to
the results that arise from what we've done.
These four
principles form the foundation for success in all
areas, whether in matters of the world or of the
Dhamma. Once they're actualized within us and
focused together on a single goal, we're bound to
succeed in line with our aspirations. The results
they yield, briefly put, are of two sorts:
1. Iddhiriddhi:
certain mundane powers that accrue to meditators.
2. Puññariddhi:
power in terms of the Dhamma that will accrue to
meditators, providing means for settling issues that
relate to the world and the heart, or for liberating
the mind from all mundane influences. This is
termed:
Vimutti
-- release,
Visuddhi -- purity,
Santi -- peace,
Nibbana -- the disbanding of all stress.
Thus, I would like
to invite all Buddhists -- all who hope for peace
and well-being -- to reflect on the principles of
practice dealing with Right Concentration presented
here as a guide for those who are interested. If you
have any questions dealing with this book, or any
problems arising from the practice of training the
mind, I will be glad to give whatever advice I can.
May you prosper
and be well.
Whoever feels
that this book is of use and would like to print it
again for free distribution, may go ahead and do so
without having to ask permission. Some parts may not
be correct in terms of the Pali, so wherever there
may be any mistakes, I ask your forgiveness.
-- Phra Ajaan Lee
Dhammadharo
Wat Asokaram, Samut Prakaan
September, 1960
"Buddhanussati
metta ca asubham maranassati:
Iccima caturarakkha..."
(Recollection of
the Buddha; good will;
The foul; mindfulness of death:
These four guardian protectors...)
-- Rama IV,
"Mokkhupaya Gatha"
I. Recollection
of the Buddha
Araham
samma-sambuddho bhagava:
Buddham bhagavantam abhivademi.
The Blessed One
is Worthy and Rightly Self-awakened.
I bow down before the Awakened, Blessed One. (Bow
down)
Svakkhato
bhagavata dhammo:
Dhammam namassami.
The Dhamma is
well-expounded by the Blessed One.
I pay homage to the Dhamma. (Bow down)
Supatipanno
bhagavato savaka-sangho:
Sangham namami.
The Sangha of
the Blessed One's disciples has practiced well.
I pay respect to the Sangha. (Bow down)
A. Paying homage to
objects worthy of respect:
Namo tassa
bhagavato arahato samma-sambuddhassa.
(Repeat three times.)
Homage to the
Blessed One, the Worthy One, the Rightly
Self-awakened One.
Ukasa, dvaratayena
katam, sabbam aparadham khamatha me bhante.
Asking your leave,
I request that you forgive me for whatever wrong I
have done with the three doors (of body, speech, and
mind).
Vandami bhante
cetiyam sabbam sabbattha thane, supatithitam
sariranka-dhatum, maha-bodhim buddha-rupam
sakkarattham.
I revere every
stupa established in every place, every Relic of the
Buddha's body, every Great Bodhi tree, every Buddha
image that is an object of veneration.
Aham vandami
dhatuyo. Aham vandami sabbaso. Iccetam ratanattayam,
aham vandami sabbada.
I revere the
relics. I revere them everywhere. I always revere
the Triple Gem.
B. Paying homage to
the Triple Gem:
Buddha-puja
mahatejavanto:
I ask to pay homage to the Buddha, whose majesty is
greater than the powers of all beings human and
divine. Thus, this homage to the Buddha is a means
of developing great majesty.
Buddham jivitam
yava nibbanam saranam gacchami:
I take refuge in the Buddha from now until attaining
nibbana.
Dhamma-puja
mahappanno:
I ask to pay homage to the Dhamma, the teachings of
the Buddha, which are a well-spring of discernment
for beings human and divine. Thus, this worship of
the Dhamma is a means of developing great
discernment.
Dhammam jivitam
yava nibbanam saranam gacchami:
I take refuge in the Dhamma from now until attaining
nibbana.
Sangha-puja
mahabhogavaho:
I ask to pay homage to those followers of the Buddha
who have practiced well in thought, word, and deed;
and who possess all wealth, beginning with Noble
Wealth. Thus, this homage to the Sangha is a means
of developing great wealth.
Sangham jivitam
yava nibbanam saranam gacchami:
I take refuge in the Sangha from now until attaining
nibbana.
N'atthi me saranam
aññam, Buddho dhammo sangho me saranam varam: Etena
saccavajjena hotu me jayamangalam:
I have no other refuge: The Buddha, Dhamma and
Sangha are my highest refuge. By means of this vow,
may the blessing of victory be mine.
Yankiñci ratanam
loke vijjati vividham puthu, Ratanam
buddha-dhamma-sangha-samam natthi, Tasma sotthi
bhavantu me:
Of the many and varied treasures found in the world,
none equal the Triple Gem. Therefore, may well-being
be mine.
(If you repeat the
translations of these passages, bow down once at
this point.)
II. Good Will
Declare your
purity, taking the Buddha, Dhamma, and Sangha as
witness once more, repeating this Pali passage:
Parisuddho aham
bhante. Parisuddhoti mam buddho dhammo sangho
dharetu.
(I now declare my purity to the Triple Gem. May the
Triple Gem recognize me as pure at present.)
Now develop
thoughts of good will, saying:
Sabbe satta
-- May all living beings
Avera hontu -- Be free from animosity,
Abyapajjha hontu -- Free from oppression,
Anigha hontu -- Free from trouble,
Sukhi attanam pariharantu -- May they look
after themselves with ease.
Sabbe satta sada
hontu avera sukha-jivino: May all beings always
live happily, free from animosity.
Katam puñña-phalam
mayham sabbe bhagi bhavantu te: May all share in
the blessings springing from the good I have done.
(This is the abbreviated version. If your time is
limited, simply say this much and then get into
position to meditate.)
Spreading thoughts of
good will to the six directions:
1. The eastern
quarter: "Puratthimasmim disa-bhage sabbe satta
(May all living beings in the eastern quarter...)
avera hontu, abyapajjha hontu, anigha hontu, sukhi
attanam pariharantu. Sabbe satta sada hontu avera
sukhajivino. Katam puññaphalam mayham sabbe bhagi
bhavantu te." (For translations, see above.)
2. The western
quarter: "Pacchimasmim disa-bhage sabbe satta,
etc."
3. The northern
quarter: "Uttarasmim disa-bhage sabbe satta,
etc."
4. The southern
quarter: "Dakkhinasmim disa-bhage sabbe satta,
etc."
5. The lower
regions: "Hetthimasmim disa-bhage sabbe satta,
etc."
6. The upper
regions: "Uparimasmim disa-bhage sabbe satta
avera hontu, abyapajjha hontu, anigha hontu, sukhi
attanam pariharantu. Sabbe satta sada hontu avera
sukhajivino. Katam puññaphalam mayham sabbe bhagi
bhavantu te." (Bow down three times.)
When you have
finished spreading thoughts of good will to all six
directions, cleanse your heart of thoughts of
animosity and apprehension. Make your heart
completely clear and at ease. Good will acts as a
support for purity of virtue and so is an
appropriate way of preparing the heart for the
practice of tranquillity and insight meditation.
III. The Foul:
Tranquillity Meditation
I.e., remove all
befouling mental states from the mind. The things
that befoul and darken the mind are the five
Hindrances:
-- Kama-chanda:
sensual desires, taking pleasure in sensual objects
(sights, sounds, smells, tastes, tactile sensations,
ideas) and sensual moods (such as passion, aversion,
and delusion).
-- Byapada:
ill will, malevolence, hatred.
-- Thina-middha:
torpor, lethargy, drowsiness, listlessness.
--
Uddhacca-kukkucca: restlessness and anxiety.
-- Vicikiccha:
doubt, uncertainty.
When any of these
unskillful states occupy the heart, it's not
flourishing, blooming, or bright. For the heart to
bloom, it has to be free from all five of the
Hindrances; and for it to be free in this way, we
have to develop concentration or absorption (jhana),
which is composed of directed thought, evaluation,
rapture, pleasure, and singleness of preoccupation
(see below). The heart will then be clear, bright,
and resplendent. In Pali, this is called "sobhana-citta."
Thus, in this section we will discuss how to develop
concentration as a means of eliminating the
Hindrances as follows:
A. "Among the forty
themes, breath is supreme."
Sit in a half-lotus
position, your right leg on top of your left; your
hands palm-up in your lap, your right hand on top of
your left. Keep your body comfortably erect and your
mind on what you're doing. Don't let your thoughts
go spinning forward or back. Be intent on keeping
track of the present: the present of the body, or
the in-and-out breath; and the present of the mind,
or mindfulness and all-round alertness. The present
of the body and the present of the mind should be
brought together at a single point. In other words,
make the object of the mind single and one. Focus
your attention on the breath, keeping watch over it
until you're clearly aware that, "This is the
in-breath," and "This is the out." Once you can see
clearly in this way, call to mind the virtues of the
Buddha, Dhamma, and Sangha, gathering them into a
single word, "Buddho." Then divide "Buddho" into two
syllables, thinking "bud-" with the in-breath, and "dho"
with the out, at the same time counting your
breaths: "Bud-" in, "dho" out, one; "bud-" in, "dho"
out, two; "bud-" in "dho" out, three, and so on up
to ten. Then start counting again from one to nine;
then one to eight, one to seven... six... five...
four... three... two... one... zero. In other words:
1 2 3 4 5 6 7 8 9
10
1 2 3 4 5 6 7 8 9
1 2 3 4 5 6 7 8
1 2 3 4 5 6 7
1 2 3 4 5 6
1 2 3 4 5
1 2 3 4
1 2 3
1 2
1
0
Keep three points
-- the breath, your mindfulness, and your awareness
-- together in a single stream. If when you've
finished counting you find that your mind still
won't stay with the breath, start by counting again,
from one to ten and so on to zero. Keep this up
until you feel that your mind has settled down, and
then stay with zero. In other words, you no longer
have to count, you no longer have to think "Buddho."
Simply keep careful watch over your breath and your
awareness. Keep your awareness focused on a single
point, being mindful and watchful. Don't send it in
and out after the breath. When the breath comes in,
you know. When it goes out, you know, but don't make
your awareness go in or out. Keep it neutral and
still. Keep watch only on the present. When you can
do this, the five Hindrances won't be able to find
entry into the mind. This is called "parikamma
bhavana," repetition meditation.
At this point, the
mind becomes light and can put aside its heavy
burdens. When the mind is light, so is the body. In
Pali this is called, "kaya-lahuta, citta-lahuta."
The mind is peaceful and solitary -- free from
agitation and unrest -- clear and calm with the
refined sense of the breath. When the mind reaches
this state, it's in the sphere of directed thought
(vitakka), which is the first factor of jhana.
Now survey and
examine the characteristics of the breath. Try
adjusting the breath in four different ways: Breathe
in long and out long, and see whether your mind is
at ease with that sort of breath. Then breathe in
short and out short to see whether you feel
comfortable and at ease that way. Then see whether
you feel at ease breathing in long and out short, or
in short and out long. Continue breathing in
whichever of these four ways feels most comfortable
and then let that comfortable breath spread
throughout the different parts of the body. At the
same time, expand your sense of mindful awareness
along with the breath.
When the breath
runs throughout the body, and the sensations of
breath in the various parts of the body are
coordinated, they can be put to use, for example, to
relieve feelings of pain. Your sense of mindfulness
at this point is broad; your alertness, complete and
mature. When mindfulness is spread throughout the
body, this is called kayagatasati --
mindfulness immersed in the body. Your frame of
reference is large and expansive, and so is called
"mahasatipatthana." Your alertness is present
throughout, aware both of the causes -- i.e., what
you're doing -- and of the results coming from what
you've done. All of these characteristics are
aspects of evaluation (vicara), the second
factor of jhana.
Now that the body
and mind have received nourishment -- in other
words, now that the breath has provided for the
body, and mindfulness has provided for the mind --
both body and mind are bound to reap results, i.e.,
rapture. The body is full and refreshed, free from
restlessness. The mind is full and refreshed, free
from anxiety and distraction, broad and blooming.
This is called rapture (piti), which is the
third factor of jhana.
Once fullness
arises in this way, body and mind settle down and
are still. In Pali this is termed "kaya-passaddhi,
citta-passaddhi." This feeling of stillness
leads to a sense of relaxation and ease for both
body and mind, termed pleasure (sukha).
These are the
beginning steps in dealing with the mind. Once you
are able to follow them, you should make a point of
practicing them repeatedly, back and forth, until
you're skilled at entering concentration, staying in
place, and withdrawing. Even just this much can form
a path along which the mind can then progress, for
it has to some extent already reached the level of
upacara bhavana, threshold concentration.
B. Focal points for
the mind
These include: (1)
the tip of the nose; (2) the middle of the head; (3)
the palate; (4) the base of the throat; (5) the tip
of the breastbone; (6) the "center," two inches
above the navel. In centering the breath at any of
these points, people who tend to have headaches
shouldn't focus on any point above the base of the
throat.
Coordinate the
various aspects of breath in the body, such as the
up-flowing breath, the down-flowing breath, the
breath flowing in the stomach, the breath flowing in
the intestines, the breath flowing along every part
of the body, hot breath, cool breath, warm breath:
Mesh these various sorts of breath so that they're
balanced, even, and just right, so as to give rise
to a sense of ease and comfort throughout the body.
The purpose of examining and coordinating the breath
is to expand your sense of mindfulness and awareness
so that they are sensitive throughout the entire
body. This will then benefit both body and mind. The
enlarged sense of the body is termed
mahabhuta-rupa; expanded awareness is termed
mahaggatam cittam. This sense of awareness will
then go on to reap the benefits of its beauty that
will arise in various ways, leading it to the level
of appana bhavana, fixed penetration.
* * *
The
characteristics of the in-and-out breath, as they
interact with the properties of the body, can cause
the properties of water and earth to be affected as
follows:
There are three
types of blood in the human body:
1. Clear, white --
arising from cool breath.
2. Light red, dark red -- arising from warm breath.
3. Black, bluish black -- arising from hot breath.
These different
types of blood, as they nourish the nerves in the
body, can cause people to have different tendencies:
1. Hot breath can
make a person tend heavily toward being
affectionate, easily attracted, and infatuated --
tendencies that are associated with delusion.
2. Warm breath can
cause a person to have moderate tendencies as far as
affection is concerned, but strong tendencies toward
a quick and violent temper -- tendencies associated
with anger.
3. Cool breath
causes weak tendencies toward affection, but strong
tendencies toward greed, craving material objects
more than anything else.
If we know clearly
which physical properties are aggravating greed,
anger, or delusion, we can destroy the corresponding
properties and these states of mind will weaken on
their own.
"Remove the fuel,
and the fire won't blaze."
To adjust these
properties skillfully gives rise to discernment,
which lies at the essence of being skillful. Adjust
the property of warmth so that the blood is clear
and light red, and your discernment will be quick,
your nerves healthy, your thinking perceptive,
subtle, and deep. In other words, to make heavier
use of the nerves in the physical heart is the way
of the Dhamma. As for the nerves of the brain, to
use them a great deal leads to restlessness,
distraction, and heavy defilements.
These are just a
few of the issues related to the breath. There are
many, many more, that people of discernment should
discover on their own. Ñana-dhatu-vijja:
knowledge of the subtleties of all 18 elements
(dhatu), the 22 pre-eminent qualities
(indriya), the six sense media (ayatana);
acute insight into the qualities of the mind;
expertise in concentration. Concentration gives rise
to liberating insight, acquaintance with the process
of fashioning;
nibbida
-- disenchantment; viraga -- disengagement;
nirodha -- utter disbanding; vimutti
-- a mind released from the mundane; santi --
peace of heart; paramam sukham -- the ease
that is ultimate bliss.
C. Images
These are of two
sorts:
1. Uggaha
nimitta: images as they are first perceived.
2. Patibhaga nimitta: adjusted images.
Images of either
sort can appear at certain mental moments or with
certain people. When the mind becomes still,
uggaha nimittas can appear in either of two
ways:
-- from mental
notes made in the past;
-- on their own, without our ever having thought of
the matter.
Uggaha nimittas of
both sorts can be either beneficial or harmful, true
or false, so we shouldn't place complete trust in
them. If we're thoroughly mindful and alert, they
can be beneficial. But if our powers of reference
are weak or if we lack strength of mind, we're
likely to follow the drift of whatever images
appear, sometimes losing our bearings to the point
where we latch on to the images as being real.
Uggaha nimittas
are of two sorts:
a.
Sensation-images: e.g., seeing images of our own
body, of other people, of animals, or of corpses;
images of black, red, blue or white. Sometimes these
images are true, sometimes not. Sometimes images
arise by way of the ear -- for example, we may hear
the voice of a person talking. Sometimes they arise
by way of the nose -- we may smell fragrant scents
or foul, like those of a corpse. Sometimes images
are sensed by the body -- the body may feel small or
large, tall or short. All of these sensations are
classed as uggaha nimittas. If the mind is
strong and resilient, they can act as a means for
the arising of liberating insight. If our powers of
reference are weak, though, they can turn into
corruptions of insight (vipassanupakkilesa),
in which we fall for the objects we experience,
believing them to be true. Even when they're true,
things that are false can mingle in with them --
like a man sitting under the open sky: When the sun
shines, he's bound to have a shadow. The man really
exists, and the shadow is connected with him, but
the shadow isn't really the man. Thus, we're taught
to let go of what's true and real; things that are
untrue will then fall from our grasp as well.
b. Thought-images:
When the breath is subtle and the mind is still and
unoccupied, things can occur to it. Sometimes we may
think of a question and then immediately know the
answer. Sometimes we don't even have to think: The
knowledge pops into the mind on its own. Things of
this sort are also classed as uggaha nimittas.
Sometimes they may be true, sometimes false,
sometimes mixed. You can't trust them to be
absolutely true. Sometimes they're true, and that
truth is what leads us to fall for them. For
example, they may be true about three things and
false about seven. Once we've placed our confidence
in them, even the false things will appear true to
us. This is one way of giving rise to the
corruptions of insight.
So when
sensation-images or thought-images arise in one way
or another, you should then practice adjusting and
analyzing them (patibhaga nimitta). In other
words, when a visual image arises, if it's large,
make it small, far, near, large, small, appear, and
disappear. Analyze it into its various parts and
then let it go. Don't let these images influence the
mind. Instead, have the mind influence the images,
as you will. If you aren't able to do this, then
don't get involved with them. Disregard them and
return to your original practice with the breath.
If a thought-image
arises by way of the mind, stop, take your bearings,
and consider exactly how much truth there is to the
knowledge it gives. Even if it's true, you shouldn't
latch onto what you know or see. If you latch onto
your knowledge, it'll become a corruption of
insight. If you latch on to your views, they'll
become a form of attachment and conceit, in which
you assume yourself to be this or that. Thus, you
should let go of these things, in line with their
true nature. If you aren't wise to them, they can
skew your practice so that you miss out on the
highest good.
D. The Ten
Corruptions of Insight
1. Obhasa: a
bright light that enables you to see places both far
and near.
2. Ñana:
knowledge enabling you to know in an uncanny way
things you never before knew, such as
pubbenivasanussati-ñana, the ability to remember
previous lifetimes. Even knowledge of this sort,
though, can mislead you. If you learn good things
about your past, you may get pleased. If you learn
bad or undesirable things about your past, you may
get displeased. Cutupapata-ñana: Sometimes
you may learn how people and other living beings die
and are reborn -- knowing, for instance, where they
are reborn when they have died from this world --
which can cause you to become engrossed in the
various things you come to know and see. As you
become more and more engrossed, false knowledge can
step in, and yet you still assume it to be true.
3. Piti: a
sense of physical and mental fullness and
satisfaction, full to the point of infatuation --
physically satisfied to the point where you don't
feel hunger or thirst, heat or cold; mentally
satisfied to the point where you become engrossed
and oblivious, lazy and lethargic, perhaps deciding
that you've already achieved the goal. What's
actually happened is that you've swallowed your mood
down whole.
4. Passaddhi:
The body is at peace and the mind serene, to the
point where you don't want to encounter anything in
the world. You see the world as being unpeaceful and
you don't want to have anything to do with it.
Actually, if the mind is really at peace, everything
in the world will also be at peace. People who are
addicted to a sense of peace won't want to do any
physical work or even think about anything, because
they're stuck on that sense of peace as a constant
preoccupation.
5. Sukha:
Once there's peace, there's a sense of physical and
mental pleasure and ease; and once there's a great
deal of pleasure, you come to hate pain, seeing
pleasure as something good and pain as something
bad. Your view of things falls into two parts.
(Actually, pleasure doesn't come from anywhere else
but pain.) Pain is the same thing as pleasure: When
pleasure arises, pain is its shadow; when pain
arise, pleasure is its shadow. As long as you don't
understand this, you give rise to a kind of
defilement -- again, you swallow your mood down
whole. When a deep and arresting sense of
relaxation, stillness, ease, or freedom from
disturbance arises, you get engrossed in that
feeling. What has happened is that you're simply
stuck on a pleasing mental state.
6. Adhimokkha:
being disposed to believing that your knowledge and
the things you know are true. Once "true" takes a
stance, "false" is bound to enter the picture. True
and false go together, i.e., they're one and the
same thing. For example, suppose we ask, "Is Nai
Daeng at home?" and someone answers, "No, he isn't."
If Nai Daeng really exists and he's really at home,
then when that person says, "He's not at home," he's
lying. But if Nai Daeng doesn't exist, that person
can't lie. Thus, true and false are one and the
same...
7. Paggaha:
excessive persistence, leading to restlessness.
You're simply fastened on your preoccupation and too
strongly focused on your goal...
8. Upatthana:
being obsessed with a particular item you've come to
know or see, refusing to let it go.
9. Upekkha:
indifference, not wanting to meet with anything, be
aware of anything, think about anything, or figure
anything out; assuming that you've let go
completely. Actually, though, this is a
misunderstanding of that very mental moment.
10. Nikanti:
being content with your various preoccupations,
simply attached to the things you experience or see.
All of these
things, if we aren't wise to them, can corrupt the
heart. So, as meditators, we should attend to them
and reflect on them until we understand them
thoroughly. Only then will we be able to give rise
to liberating insight, clear knowledge of the four
truths:
1. Physical and
mental stress, i.e., the things that burden the body
or mind. Physical and mental pleasure and ease,
though, are also classed as stress because they are
subject to change.
2. The factors that
enable these forms of stress to arise are three:
a. Kama-tanha:
craving for attractive and appealing sights, sounds,
smells, tastes, tactile sensations, and ideas;
fastening onto these things, grabbing hold of them
as belonging to the self. This is one factor that
enables stress to arise. (The mind flashes out.)
b. Bhava-tanha:
desire for things to be this way or that at times
when they can't be the way we want them; wanting
things to be a certain way outside of the proper
time or occasion. This is called "being hungry" --
like a person who hungers for food but has no food
to eat and so acts in a way that shows, "I'm a
person who wants to eat." Bhava-tanha is another
factor that enables stress to arise. (The mind
strays.)
c.
Vibhava-tanha: not wanting things to be this way
or that, e.g., having been born, not wanting to die;
not wanting to be deprived of the worldly things
we've acquired: for example, having status and
wealth and yet not wanting our status and wealth to
leave us. The truth of the matter is that there's no
way it can be avoided. As soon as the change comes,
we thus feel stress and pain. (The mind flinches.)
Punappunam
pilitatta
sansaranta bhavabhave:
"Repeated
oppression,
wandering on from one state of becoming to another."
Different states of
becoming arise first in the mind, then giving rise
to birth. Thus, people of discernment let go of
these things, causing:
3. Nirodha
-- cessation or disbanding -- to appear in the
heart. In other words, the mind discovers the limits
of craving and lets it go through the practice of
insight meditation, letting go of all fashionings,
both good and bad. To be able to let go in this way,
we have to develop:
4. Magga --
the Path -- so as to make it powerful. In other
words, we have to give rise to pure discernment
within our own minds so that we can know the truth.
Stress is a truth; its cause is a truth; its
cessation and the Path are truths: To know in this
way is liberating insight. And then when we let all
four truths fall away from us so that we gain
release from "true," that's when we'll reach
deathlessness (amata dhamma). Truths have
their drawbacks in that untrue things are mixed in
with them. Wherever real money exists, there's bound
to be counterfeit. Wherever there are rich people,
there are bound to be thieves waiting to rob them.
This is why release has to let go of truths before
it can reach nibbana.
Meditators, then,
should acquaint themselves with the enemies of
concentration, so as to keep their distance from all
five of the Hindrances, the two sorts of uggaha
nimittas, and the ten corruptions of insight.
The mind will then be able to gain release from all
things defiling, dirty, and damp. What this means is
that the mind doesn't hold onto anything at all. It
lets go of supposings, meanings, practice, and
attainment. Above cause and beyond effect:
That's the aim of the Buddha's teachings.
Those who want to
get rid of kama-tanha -- desire and
attraction for the six types of sensory objects --
have to develop virtue that's pure all the way to
the heart: This is termed heightened virtue
(adhisila). Those who are to get rid of
bhava-tanha -- thoughts that stray out, choosing
objects to dwell on -- first have to develop Right
Concentration, pure and circumspect: This is termed
heightened mind (adhicitta). Those who are to
get rid of vibhava-tanha -- attachment to
knowledge and viewpoints, attainments and states of
becoming, theories and conceits -- will first have
to develop clear-seeing discernment, cognitive skill
that's pure and fully developed: This is heightened
discernment (adhipañña). Thus, the threefold
training -- virtue, concentration, and discernment
-- is a group of truths that can let go of the
causes of stress. Other than this, there's no way to
release.
I.e., keep death in
mind. This is where the mind advances to the
development of liberating insight, taking death as
its theme. "Death" here refers to the death
occurring in the present -- physical sensations
arising and passing away, mental acts arising and
passing away, all in a moment of awareness. Only
when you're aware on this level can you be classed
as being mindful of death.
Now that we've
brought up the topic of death, we have to reflect on
birth, seeing how many ways sensations are born and
how many ways mental acts are born. This is
something a person with a quiet mind can know.
A.
Sensations have up to five levels of refinement:
1. Hina-rupa:
coarse sensations, sensations of discomfort, aches
and pains. When these arise, focus on what causes
them until they disappear.
2. Panita-rupa:
exquisite sensations that make the body feel
pleasurable, light, and refined. Focus on what
causes them until they disappear...
3.
Sukhumala-rupa: delicate sensations, tender,
yielding, and agile. When they arise, focus on what
causes them until they disappear.
4. Olarika-rupa:
physical sensations that give a sense of grandeur,
exuberance, brightness, and exultation:
"Mukhavanno vipassidati." When they arise, focus
on finding out what causes them until they
disappear...
All four of these
sensations arise and disband by their very nature;
and it's possible to find out where they first
appear.
5. "Mano-bhava":
imagined circumstances that appear through the power
of the mind. When they arise, focus on keeping track
of them until they disappear. Once you're able to
know in this way, you enter the sphere of true
mindfulness of death.
An explanation of
this sort of sensation: When the mind is quiet and
steadily concentrated, it has the power to create
images in the imagination (inner sensations, or
sensations within sensations). Whatever images it
thinks of will then appear to it; and once they
appear, the mind tends to enter into them and take
up residence. (It can go great distances.) If the
mind fastens onto these sensations, it is said to
take birth -- simply because it has no sense of
death.
These sensations
can appear in any of five ways:
a. arising from the
posture of the body, disappearing when the posture
changes;
b. arising from
thoughts imbued with greed, hatred, or delusion --
arising, taking a stance, and then disbanding;
c. arising with an
in-breath and disbanding with the following
out-breath;
d. arising from the
cleansing of the blood in the lungs -- appearing and
disbanding in a single instant;
e. arising from the
heart's pumping blood into the various parts of the
body, the pressure of the blood causing sensations
to arise that correspond to sights, sounds, smells,
tastes, and tactile sensations. Sensations of this
sort are arising and disbanding every moment.
Another class of
sensation is termed "gocara-rupa" --
sensations that circle around the physical body.
There are five sorts -- light, sound, smells,
tastes, and tactile sensations -- each having five
levels. For instance, common light travels slowly;
in the flash of an eye it runs for a league and then
dies away. The second level, subtle light, goes
further; and the third level goes further still. The
fourth and fifth levels can travel the entire
universe. The same holds true for sounds, smells,
tastes, and tactile sensations. The relationships
between all the potentials in the universe are
interacting at every moment, differing only as to
whether they're fast or slow. This is the inequality
that has been termed "anicca-lakkhana" --
inherent inconstancy. Whoever is ignorant is bound
to think that all this is impossible, but actually
this is the way things already are by their nature.
We'll come to know this through vijja --
cognitive skill -- not through ordinary labels and
concepts. This is called true knowing, which
meditators who develop the inner eye will realize
for themselves: knowing the arising of these
sensations, their persisting and their disbanding,
in terms of their primary qualities and basic
regularity.
Knowing things for
what they really are.
Release, purity, dispassion, disbanding;
Nibbanam
paramam sukham:
Nibbana is the ultimate ease.
B.
As for mental acts that arise and die, their
timespan is many thousands of times faster than that
of sensations. To be able to keep track of their
arising and dying away, our awareness has to be
still. The four kinds of mental acts are:
-- Vedana:
the mind's experience of feelings of pleasure, pain,
and indifference.
-- Sañña:
recognizing and labeling the objects of the mind.
-- Sankhara:
mental fabrications or fashionings of good and bad.
-- Viññana:
distinct consciousness or cognizance of objects.
One class of these
mental acts stays in place, arising and disbanding
with reference to the immediate present. Another
class is termed "gocara vedana" "gocara
sañña," etc., which go out to refer to the
world. Each of these has five levels, differing as
to whether they're common, refined, or subtle, slow
or fast. These five levels connect with each other,
running out in stages, and then circling back to
their starting point, disbanding and then arising
again -- all without end.
When we don't have
the skill to discern the primary sensations and
mental acts that stay in place, we can't see into
the "gocara" sensations and mental acts that
go flowing around. This is termed "avijja,"
the unawareness that opens the way for connecting
consciousness (patisandhi viññana), giving
rise to the act of fashioning (sankhara),
which is the essence of kamma. This gives
fruit as sensations and feelings that are followed
by craving, and then the act of labeling, which
gives rise to another level of consciousness -- of
sensory objects -- and then the cycle goes circling
on. This is termed the "khandha-vatta," the
cycle of the aggregates, circling and changing
unevenly and inconsistently. To see this is called
aniccanupassana-ñana, the knowledge that
keeps track of inconstancy as it occurs. This is
known through the inner eye, i.e., the skill of
genuine discernment.
Thus, those who
practice the exercises of insight meditation should
use their sensitivities and circumspection to the
full if they hope to gain release from unawareness.
Fashionings, in this context, are like waves on the
ocean. If we're out in a boat on the ocean when the
waves are high, our vision is curtailed. Our senses
of hearing, smell, taste, touch, and ideation are
all curtailed. We won't be able to perceive far into
the distance. What this means is that when our minds
are immersed in the Hindrances, we won't be able to
perceive death at all. But once we've been able to
suppress the Hindrances, it's like taking a boat
across the ocean when there are no waves. We'll be
able to see objects far in the distance. Our eyes
will be clear-seeing, our ears clear-hearing, our
senses of smell, taste, touch and ideation will be
broad and wide open. The water will be clear, and
the light brilliant. We'll be able to know all
around us.
In the same way,
those who are to know death clearly have to begin by
practicing concentration as a foundation for
developing liberating insight. How do the five sorts
of above-mentioned sensation arise? What are their
causes? How do they disappear? How do physical and
mental feelings arise? How do they disappear? What
are their causes? How do labels and concepts arise?
What are their causes? How do they disappear? How do
mental fashionings arise? What are their causes? How
do they disappear? How does consciousness arise by
way of the senses of sight, hearing, smell, taste,
touch, and ideation? What are its causes? How does
it disappear?
Altogether there
are four levels to each of the five aggregates
(khandhas): external and internal, staying in
place and streaming outward. These can be known at
all times, but only people who have the discernment
that comes from training the mind in tranquillity
and insight meditation will be able to know death on
this level.
The discernment
that arises in this way has been termed
pubbenivasanussati-ñana, i.e., understanding
past sensations, future sensations, and sensations
in the present. These sensations differ in the way
they arise and pass away. To know this is to have
mastered one cognitive skill.
Cutupapata-ñana:
With discernment of this sort, we're able to keep
track of the states of our own mind as they arise
and disappear, sometimes good as they arise and good
as they disappear, sometimes bad as they arise and
bad as they disappear, sometimes good as they arise
and bad as they disappear, sometimes bad as they
arise and good as they disappear. To be able to keep
track in this way is to know states of being and
birth.
Asavakkhaya-ñana:
When the discernment of this skill arises, it leads
to disenchantment with the way sensations and mental
acts arise and disappear and then arise again,
simply circling about: coarser sensations going
through the cycle slowly, more refined sensations
going quickly; coarser mental acts going slowly,
more refined mental acts going quickly. When you can
keep track of this, you know one form of stress. Now
focus attention back on your own mind to see whether
or not it's neutral at that moment. If the mind
approves of its knowledge or of the things it knows,
that's kamasukhallikanuyoga -- indulgence in
pleasure. If the mind disapproves of its knowledge
or of the things it knows, that's
attakilamathanuyoga, indulgence in
self-infliction. Once you've seen this, make the
mind neutral toward whatever it may know: That
moment of awareness is the mental state forming the
Path. When the Path arises, the causes of stress
disband. Try your best to keep that mental state
going. Follow that train of awareness as much as you
can. The mind when it's in that state is said to be
developing the Path -- and at whatever moment the
Path stands firm, disbanding and relinquishing
occur.
When you can do
this, you reach the level where you know death
clearly. People who know death in this way are then
able to reduce the number of their own deaths. Some
of the Noble Ones have seven more deaths ahead of
them, some have only one more, others go beyond
death entirely. These Noble Ones are people who
understand birth and death, and for this reason have
only a few deaths left to them. Ordinary people who
understand their own birth and death on this level
are hard to find. Common, ordinary birth and death
aren't especially necessary; but people who don't
understand the Dhamma have to put up with birth and
death as a common thing.
So whoever is to
know death on this level will have to develop the
cognitive skill that comes from training the mind.
The skill, here, is knowing which preoccupations of
the mind are in the past, which are in the future,
and which are in the present. This is cognitive
skill (vijja). Letting go of the past,
letting go of the future, letting go of the present,
not latching onto anything at all: This is purity
and release.
As for unawareness,
it's the exact opposite, i.e., not knowing what's
past, not knowing what's future, not knowing what's
present -- that is, the arising and falling away of
sensations and mental acts, or body and mind -- or
at most knowing only on the level of labels and
concepts remembered from what other people have
said, not knowing on the level of awareness that
we've developed on our own. All of this is classed
as avijja, or unawareness.
No matter how much
we may use words of wisdom and discernment, it still
won't gain us release. For instance, we may know
that things are inconstant, but we still fall for
inconstant things. We may know about things that are
stressful, but we still fall for them. We may know
that things are not-self, but we still fall for
things that are not-self. Our knowledge of
inconstancy, stress, and not-self isn't true. Then
how are these things truly known? Like this:
Knowing both sides,
Letting go both ways,
Shedding everything.
"Knowing both
sides" means knowing what's constant and what's
inconstant, what's stress and what's ease, what's
not-self and what's self. "Letting go both ways"
means not latching onto things that are constant or
inconstant, not latching onto stress or ease, not
latching onto self or not-self. "Shedding
everything" means not holding onto past, present, or
future: Awareness doesn't head forward or back, and
yet you can't say that it's taking a stance.
Yavadeva
ñanamattaya patissatimattaya
anissito ca viharati
na ca kiñci loke upadiyati.
"Simply mindful and
aware, the mind remains independent, not attached to
anything in the world."
Epilogue
I.
There are three sets of results arising from the
practice.
Set A
1.
Pubbenivasanussati-ñana: the ability to remember
previous lives.
2.
Cutupapata-ñana: the ability to know how the
living beings of the world die and are reborn.
3.
Asavakkhaya-ñana: understanding how to put an
end to the defilements of the heart.
Set B
1.
Vipassana-ñana: clear insight, through training
the mind, into phenomena in and of themselves, in
terms of the four Noble Truths.
2. Manomayiddhi:
psychic power, making things appear in line with
your thoughts -- for example, thinking of a visual
image that then appears to the physical eye. Those
who are to develop this skill must first become
expert at uggaha nimittas.
3. Iddhividhi:
the ability to change such images as you like. Those
who are to develop this skill must first become
expert in patibhaga nimittas.
4. Dibbacakkhu:
clairvoyance, the ability to see great distances.
Only people with good optic nerves -- and who
understand how to adjust the physical properties in
the body so as to keep the nerves charged and awake
-- will be able to develop this skill.
5. Dibbasota:
clairaudience, the ability to hear sounds at great
distances. Only people whose auditory nerves are
good -- and who understand how to adjust the
properties in the body so that they act as a
conducting medium -- will be able to develop this
skill.
6.
Cetopariya-ñana: knowing the thoughts and mental
states of other people. To do this, you first have
to adjust the fluids nourishing your heart muscles
so that they're clean and pure.
7.
Pubbenivasanussati-ñana: the ability to remember
previous lives, knowing by means of mental images or
intuitive verbal knowledge. To remember past lives,
you first have to understand how to interchange the
physical properties in the body.
8.
Asavakkhaya-ñana: knowing the causes for mental
defilement; knowing the means for putting an end to
mental fermentations.
Set C
1.
Attha-patisambhida-ñana: acumen in understanding
the meaning of various teachings.
2.
Dhamma-patisambhida-ñana: acumen -- acquired by
means of your own heart -- with regard to all
fashioned properties and qualities.
3.
Nirutti-patisambhida-ñana: the ability to
understand by means of the heart the affairs and
languages of people and other living beings in the
world.
4.
Patibhana-patisambhida-ñana: the intuitive
ability to respond promptly and aptly in situations
where you're called on to speak; the ability to
respond to an opponent without having to think:
Simply by focusing the mind heavily down, the right
response will appear on its own, just as a
flashlight gives off light immediately as we press
the switch.
* * *
Taken together, all
of these skills arise exclusively from training the
heart and are called bhavana-maya-pañña --
discernment developed through training the mind.
They can't be taught. You have to know them on your
own. Thus, they can be called paccatta-vijja,
personal skills. If you're astute enough, they can
all become transcendent. If not, they all become
mundane. Thus, the principles of discernment are
two:
1. Mundane
discernment: studying and memorizing a great deal,
thinking and evaluating a great deal, and then
understanding on the common level of labels and
concepts.
2. Transcendent
discernment: knowledge that comes from practicing
Right Concentration; intuitive understanding that
arises naturally on its own within the heart, beyond
the scope of the world; clear insight; release from
all views, conceits, defilements, and fermentations
of the mind.
* * *
II.
Upakara dhamma. There are three sets of
qualities that are of help in giving rise to
cognitive skill.
Set A
1. Sila-sanvara:
taking good care of your virtue -- your manners and
conduct in thought, word, and deed -- following such
principles as the ten guidelines (kammapatha).
2.
Indriya-sanvara: being constantly mindful of the
six "gateways" -- the senses of sight, hearing,
smell, taste, touch, and ideation -- making sure
they don't give rise to anything that would disturb
your own peace or that of others.
3. Bhojane
mattannuta: having a sense of moderation in the
amount of food you eat -- not too much, not too
little, eating only food that's compatible with your
physical make-up; making sure that it's light food:
Otherwise, you'll have to eat only half-full or on
the small side. As far as food is concerned, if you
can get by on only one meal a day, you'll find it
much easier to train the mind.
There are three
ways of eating:
a. Stuffing
yourself full. This interferes with concentration
and is termed "being greedy."
b. Eating just
enough to keep the body going. This is termed "being
content with what you have."
c. Eating no more
than half full. This is termed "being a person of
few wants," who has no worries associated with food
and whose body weighs lightly. Just as a tree with
light heartwood won't sink when it falls in the
water, so the meditation of such a person is not
inclined to lead to anything low. The senses of such
a person -- the nerves of the eyes, ears, nose,
tongue, and body -- tend toward peacefulness and are
well-suited for helping the mind to attain peace.
4.
Jagariyanuyoga: awakening the physical
properties of the body by developing the factor that
fashions the body (kaya-sankhara), i.e.,
adjusting the in-and-out breath so that it's
thoroughly beneficial to the properties of earth,
water, wind, and fire within the body. This is
termed developing mindfulness immersed in the body
(kayagatasati-bhavana), as in the verse:
Suppabuddham
pabujjhanti
sada gotamasavaka
Yesam diva ca ratto ca
niccam kayagatasati.
"The disciples of
the Buddha Gotama are always well alert, their
mindfulness constantly, by day and by night,
immersed in the body"... their mindfulness charging
the body whether their eyes are open or closed.
At the same time,
we have to understand how to keep the mind wide
awake through developing jhana, starting with
directed thought, evaluation, rapture, pleasure, and
singleness of object (see below). The mind will then
awaken from its forgetfulness. With regard to
forgetfulness, the Buddha taught that when the mind
gets drawn in by its objects, it faints for a spell.
If this happens often enough to become a habit, it
gives rise to delusion, leaving us no way to give
rise to the discernment of liberating insight.
Set B
1. Saddha:
conviction, i.e., being convinced of the causes of
goodness and of the results that will come from
acting in line with those causes.
2. Hiri:
inner shame at the thought of doing evil, not daring
to do evil either openly or secretly, because we
realize that there are no secret places in the
world. Even if other people don't see us doing evil,
we ourselves are sure to see.
3. Ottappa:
fear of evil, not being attracted to the idea of
doing evil; viewing bad kamma as a poisonous cobra
raising its head and spreading its hood, and thus
not daring to go near.
4. Bahusacca:
studying and training yourself constantly, seeking
advice from those who are knowledgeable and expert
in the practice. Don't associate with people who
have no knowledge of the matters in which you are
interested.
5. Viriya:
persistence in abandoning the defilements of the
mind -- i.e., the Hindrances; perseverance in giving
rise to good within the mind by developing such
things as the first jhana. Briefly put, there are
three ways to do this: being persistent in giving
rise to the good, in maintaining the good, and in
constantly developing the good that has already
arisen.
6. Satipatthana:
giving your powers of reference a frame and a focal
point by developing mindfulness immersed in the body
("kesa, loma") or mindfulness of breathing,
etc.
7. Pañña:
discernment; circumspection that's all-encompassing
and fully reasonable in doing good, in maintaining
the good, and in using the good so as to be of
benefit at large -- for low-level benefits,
intermediate benefits, and ultimate benefits, with
regard to this life, lives to come, and the ultimate
benefit, nibbana. This is what is meant by
discernment.
Set C
1. The first jhana.
Vitakka: Think of an object for the mind to
focus on. Vicara: Evaluate the object on
which you have focused. For example, once you are
focused on keeping track of the breath, take a good
look at the various breath-sensations in the body.
Learn how to adjust and change whichever part or
aspect is uncomfortable. Learn how to use whichever
part feels good so as to be of benefit to the body
and mind. Keep this up continually, and results will
appear: The body will feel light and full, permeated
with a sense of rapture and refreshment (piti).
Awareness will be full and all-round, with no
distracting restlessness. At this point, both mind
and body are quiet, just as a child lying in a
cradle with a doll to play with won't cry. The body
is thus at ease, and the mind relaxed (sukha).
Ekaggatam cittam: The mind sticks steadily
with a single object, without grasping after past or
future, comfortably focused in the present. This
much qualifies as jhana.
2. The second jhana.
Directed thought and evaluation disappear; awareness
settles in on its sense of ease and rapture. The
body is relaxed, the mind quiet and serene. The body
feels full, like the earth satu